‘Woke’: Complexions’ 25th Anniversary at The Joyce
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HOW TO FEED YOUNG ARTISTS: Fernando Hernando Magadan On Leading NDT2
To unlock our web features, subscribe for a minimum of $2 per month on Patreon.To view this content, you must be a member of UnSequenced, a podcast from { DIYdancer } 's Patreon at $1 or more [...]
William Forsythe: Choreographic Objects
To unlock our web features, subscribe for a minimum of $2 per month on Patreon.To view this content, you must be a member of UnSequenced, a podcast from { DIYdancer } 's Patreon Unlock with [...]
Pigeonwing Dance Creates a Rigorous Language of Its Own
“Ours is an age bedeviled by the urge — an urge bearing the ominous compulsiveness of addiction — to reduce, flatten, and simplify what is more expansive, dimensional, and complex than can be [...]
BalletNext at NYLA: Lacking a Critical Eye
Michele Wiles has returned to the stage and to the artistic direction of BalletNext, following the birth of her first child in 2017. I attended the first evening of BalletNext’s spring season at [...]
Banataba: The Interrogation of a MET Collection
On the second weekend of September in the Metropolitan Museum of Art’s transplanted sixteenth century Spanish Velez Blanco Patio, Faustin Linyekula revealed his very personal journey through the [...]
The Museum Workout: Bringing Bodies Where They Belong
On a recent morning in August, I found myself lying on the cool marble floor of the American Wing at the Metropolitan Museum of Art gazing up at the gilded silhouette of Diana, goddess of the [...]
Momix's Opus Cactus: A Well-Crafted Spectacle Revisited
After its premiere in 2001, Moses Pendelton’s Opus Cactus is enjoying a welcomed revival at The Joyce Theater. For a company who has been criticized for the overzealous use of [...]
