Best Of

 

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By Celine Kiner

In 2021, Best Of, Critical Drafts

Posted October 16, 2021

Look how many languages I speak: Abraham’s voice stands out at City Center’s Fall for Dance

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By Candice Thompson

In 2019, Best Of, Critical Drafts

Posted December 9, 2020

Thick, steady, deliberate, impressionistic: Rosy Simas Danse’s ‘Weave’ at the Ordway Center for Performing Arts

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By Sarah Chenoweth

In 2020, Best Of, Critical Drafts, Dd Response

Posted May 24, 2020

Solos for Us in This Time

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By Courtney Colón and Mindy Rawlinson

In 2020, Best Of, Critical Drafts, Dd Response

Posted April 13, 2020

Is Coronavirus the Death of Concert Dance? We Must Start Envisioning the Future Now

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By Bella Dorado

In 2020, Best Of, Critical Drafts, Dd Response

Posted February 20, 2020

Ephemera: performance in the Present

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By Gianna Mercandetti

In 2019, Best Of, Critical Drafts, Dd Response

Posted December 30, 2019

Salomé – the Tragedy Reimagined

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By Bella Dorado

In 2019, Best Of, Critical Drafts, Dd Response

Posted December 16, 2019

‘Bridge-s’ Spans Time and Space at the Getty Museum

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By Haley Kostas

In 2019, Best Of, Dd Exclusive, Voices on Dance

Posted November 14, 2019

An Open Creative Process: Haley Kostas in conversation with Jeffrey Cirio and Peter Chu

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By Jill Randall

In 2019, Best Of, Dd Exclusive, Voices on Dance

Posted August 12, 2019

Wonderment, Imagination, and Duration: Maurya Kerr and Dazaun Soleyn on the FACT/SF Summer Dance Festival

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