2019

 

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By Candice Thompson

In 2019, Best Of, Critical Drafts

Posted December 9, 2020

Thick, steady, deliberate, impressionistic: Rosy Simas Danse’s ‘Weave’ at the Ordway Center for Performing Arts

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By Gianna Mercandetti

In 2019, Best Of, Critical Drafts, Dd Response

Posted December 30, 2019

Salomé – the Tragedy Reimagined

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By Bella Dorado

In 2019, Best Of, Critical Drafts, Dd Response

Posted December 16, 2019

‘Bridge-s’ Spans Time and Space at the Getty Museum

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By Haley Kostas

In 2019, Best Of, Dd Exclusive, Voices on Dance

Posted November 14, 2019

An Open Creative Process: Haley Kostas in conversation with Jeffrey Cirio and Peter Chu

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By Jill Randall

In 2019, Best Of, Dd Exclusive, Voices on Dance

Posted August 12, 2019

Wonderment, Imagination, and Duration: Maurya Kerr and Dazaun Soleyn on the FACT/SF Summer Dance Festival

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By Oluwaseun Olayiwola

In 2019, Best Of, Critical Drafts, Voices on Dance

Posted July 23, 2019

When to Burn the Heart: Okwui Okpokwasili’s Bronx Gothic

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By Jordan McHenry

In 2019, Best Of, Dd Exclusive, Voices on Dance

Posted July 17, 2019

The Next Director of NDT: Emily Molnar in Candid Conversation

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By Lara Wilson

In 2019, Best Of, Critical Drafts, Voices on Dance

Posted July 2, 2019

The Feminine Language in Barak Ballet’s “New Repertoire”

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By Candice Thompson

In 2019, Best Of, Change Demands Movement, Dd Exclusive

Posted May 22, 2019

‘We Live In Cairo’: Samar Haddad King Choreographs the Arab Spring

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