Urbanity Dance in F=ma: For the love of it
Urbanity Dance presented a diverse bill of daring works in F=ma on Friday, June 1st at the Boston University Tsai Performance Center. In a pre-show talk, artistic director Betsi Graves explained [...]
Are We Human Or Are We Dancing Robots? Connecting Arts and Tech at The Ferst Center
Robots, drones, and the arts – Georgia Tech is determined to find out
BalletNext at NYLA: Lacking a Critical Eye
Michele Wiles has returned to the stage and to the artistic direction of BalletNext, following the birth of her first child in 2017. I attended the first evening of BalletNext’s spring season at [...]
Levels of Interaction: Jose Mateo Ballet Theatre’s Stolen Hearts
Earlier this month, Cambridge-based Jose Mateo Ballet Theatre showed skill and thoughtfulness in its mixed rep bill Stolen Hearts. While there were some minor structural and choreographic areas [...]
Opening Up the Creative Process: Marlee Grace’s Book “A Sacred Shift” As Meta Archive and Invitation
“Because apparently the feeling of knowing you are not the only one who is FEELING the feeling is indeed the most calming feeling of all.”
A Stream of Consciousness Response: Jay Carlon’s ‘Out of Bounds’
Sunday, Oct. 8, 4:48 PM It feels a little strange to tell the concierge at the Annenberg Community Beach House I’m here for the performance.
Banataba: The Interrogation of a MET Collection
On the second weekend of September in the Metropolitan Museum of Art’s transplanted sixteenth century Spanish Velez Blanco Patio, Faustin Linyekula revealed his very personal journey through the [...]
The Museum Workout: Bringing Bodies Where They Belong
On a recent morning in August, I found myself lying on the cool marble floor of the American Wing at the Metropolitan Museum of Art gazing up at the gilded silhouette of Diana, goddess of the [...]
Momix's Opus Cactus: A Well-Crafted Spectacle Revisited
After its premiere in 2001, Moses Pendelton’s Opus Cactus is enjoying a welcomed revival at The Joyce Theater. For a company who has been criticized for the overzealous use of [...]
